Jonathan L. Friedmann, Ph.D.
Theories about meaning in music are divided into two main camps: absolutist and referentialist. Absolutists holds that meaning is autonomously generated by the music. Responses stirred are secondary and independent from the music itself, which can only express musicality. Referentialists, on the other hand, contend that music is a shorthand for concepts, actions, images, and mood states. Music legitimately refers to things outside of itself. Whether the truth lies at either pole or resides somewhere in between, this debate usually grants a pass to song. By virtue of incorporating the comparatively straightforward symbolism of language, even the most obscure song is thought to have clearer signification than music without words.
Words significantly relieve music of the burden of generating meaning. They instantaneously imbue sound with an essence, which can change as quickly as the words are switched out for others. Still, it would be a mistake to think that lyrics are the ultimate decider of a song’s meaning. For every song that gives a more or less uniform impression, there are at least as many that leave room for interpretation. This is not only true for lyrics featuring ambiguity or metaphor; even lucid songs can be multivalent.
This is partly because songs typically originate from a personal place. The songwriter writes about experiences and sentiments tied to specific people, settings, moments, and so on. Listeners tend to personalize these themes and make them their own, with all the subjectiveness that implies. Another complicating factor is association. The meaning of a song can be formed and re-formed depending on when, where, and with whom it is heard. This is exemplified in the “our song” phenomenon, when strong connections create a sense of ownership, and the “recycled song” phenomenon, when a tune begins on the radio, makes its way into a movie, becomes a wedding song, gets used in a commercial, etc. New meanings accumulate with each new usage.
There are also listeners who pay little attention to song lyrics, either because of thematic non-resonance, linguistic incomprehensibility, or an attraction to something else in the performance. This nullifies any clarity the words may have provided.
In the end, vagueness is a unifying aspect of music with and without words. Lyrics can mitigate uncertainty, but the fuzziness of musical meaning remains.
Visit Jonathan’s website to keep up on his latest endeavors, browse his book and article archives, and listen to sample compositions.